I Know How You Get Mk.gee Lyrics
Photograph Credit: Erica Hernandez
Throwing caution to the wind, Michael Gordon improve known as Mk.gee, left his East Coast dwelling of New Jersey for the modern State of Milk and Honey, California. Attending the USC School of Music, Mk.gee began honing his craft and allowing his new home to mold his identity as an artist. Weaving together elements of R&B, jazz, electronica, funk and pop, Mk.gee refuses to allow genre stand in the way of his creative process.
Mk.gee released his first trunk of work, an anthology titled Pronounced McGee in early May of 2018. The anthology is as dynamic equally the artist, various elements of sound combined with dense lyrics create a sonic crypt of emotion. Needless to say, Mk.gee's album debut was a victorious showcase of his raw talent as a songwriter and musician.
Wasting no time, Mk.gee returns with his new EP, Fool, serving as a time-stamp of his growth, both as a musician and a person. Nosotros had the privilege to speak with Mk.gee near his passion for music, the construction of his audio, first tour, Frank Ocean and his plans for the time to come.
OTW: When did yous first offset making music?
Mk.gee: I started effectually seven, I started writing on the piano while I was taking lessons. It felt very natural to write music, and information technology was the just fun matter virtually playing the piano at the time to be honest. Having a vocalization early on in both writing and playing was really of import for me. It allowed me to observe some sort of identity. I started actually recording my ain music when I was in eye school/ early high schoolhouse though. I had a ring most of my teen years. They were really talented guys, but it was a really unhealthy environment to exist creative and to grow. They put downwardly a lot of my writing and singing. For my 14th birthday, I asked for a Tascam porta studio, so I could only tape my own songs and play all the parts. Information technology wasn't like a "Fuck youm I'll just do everything" intention, it just happened out of absolute necessity to create without repercussions.
OTW: You lot're originally from New Jersey – did the move to California effect your audio in anyway?
Mk.gee: Of course, hundred percent. I didn't even actually take recording my music seriously until I moved. I primarily saw myself as a guitarist when I commencement lived on the west declension. I've had stuff at that time of the move that I recorded/produced by myself at habitation in New Jersey, only I've never released any of the songs, and so I didn't really have a "sound" beforehand. When I moved, I became infatuated past a lot of music and artists that I was never exposed to on the East Coast. I moved in 2015 past myself kind of abandoning all preconceptions of me and my ego/past-life/etc… with that I learned to become a sponge. Non that I let go of past tastes and identity completely, but I learned how to let everything inspire me considering subconsciously I knew no one could call me out and say listening or making a sure type of music wasn't "me."
I was introduced to artist'southward similar Blood Orange, Jai Paul, Lolawolf, New Society, simply actually awesome popular counter-culture stuff that I found an identity in.
Photo: Erica Hernandez
OTW: What inspired your pursuit of a music career? Did you lot ever recall yous would be getting the recognition you are?
Mk.gee: The music career matter felt like very natural just because I've been gigging and writing since I was pretty young. I was inspired by a lot people; I don't call back one person inspired me, just I recollect my old jazz upright bass teacher taught me really of import life lessons equally a musician – to preach honesty and intention. My parents are really supportive, fifty-fifty though they don't necessarily dearest my music, which is absurd. I know I would be writing and recording my music, I just didn't know I would be a full out solo artist. I focused on guitar and jazz for most of my teen years and thought that I would be primarily a session/touring musician.
I'thousand non sure if I idea most recognition or validation a lot as I grew upwardly, but my younger self probably would be pretty proud that I'1000 fifty-fifty doing what I'm doing in the showtime place.
OTW: Your lyrics feel personal, what's your songwriting process like?
Mk.gee: It used to only be rhythm based. I've always been obsessed with rhythm, not just rhythm counterpoint like in guitar/drums only in the way people pronounce things and the way rhythmic words sounded specific to how they come out of people's mouths. I slaved to this the last record, making the groove/track/beat offset and then finding sounds that married together really well with lyrics. For this project, I broke that a flake and found some different schools of thought for lyrics and writing. This record I wrote more with just guitar and vocals or synth and vocals just to stress the songwriting more. The process constantly changes though; I become bored easily.
But aye, vulnerability is adjacent to connexion.
OTW: Saying your music is diverse would be an understatement, what inspires your sound?
Mk.gee: A lot of stuff. I don't really believe in like guilty pleasures. I heed to what I similar and what makes me feel something. Just anything that moves me. Could be from like experimental electronic/racket music to folk or pop music. I brand different music because it's only a lot more than fun Having an album with every vocal consistently like the last is wearisome to me. I but like to change and bounce around a lot; that's just how I like to operate. For this project I listened to a lot of artists like Grouper, Phil Elverum, and George Harrison. I try to find a lot of inspiration in colors and photographs too. Information technology brings the music to a more concrete, colorful place. A lot of the writing on the project was to Lauren Greenfield and Nan Goldin photographs/magazines.
OTW: Y'all're undertaking all of the writing, recording and mixing duties yourself; what spurred the crusade to practise it all yourself?
Mk.gee: It doesn't actually come from a selfish point of view. Doing all of the parts just brings together the most organic piece of "me" that tin can possibly be curated. Information technology makes me really happy and satisfied doing all of the work. I find out a lot about myself through every song and every tape because of information technology. I don't really like to talk about me doing information technology all because information technology becomes distracting to the music.
It'southward not about how I did it or where I did it, it's just nearly the art.
OTW: Y'all worked on your new EP between tour dates this summer; was the project inspired by your time on the road?
Mk.gee: To be honest, almost all of the songs were done earlier I went on the road, and some of them before I released the first double EP in May. A lot of people say I'k releasing this music too soon after the album, but I want to grab people up with who I am now as a person and what I'm gravitated towards. Pronounced McGee was done about 2 years ago, which is usually the standard album cycle, simply for a 21-year-erstwhile at the time, that's 2 completely different beings, and I'one thousand very conscious of that.
I think it'south good to release spontaneously and freely; it should be an authentic reflection of the artist as they release information technology, not who you were a couple years ago. It should be a time stamp.
As for the tour, I didn't write on the road too much. I wrote a lot when I came dorsum beingness inspired by the shows and traveling. It'due south too early to tell what will happen to them though.
OTW: You recently toured with Omar Apollo; what was that experience like? Are you excited to hit the road over again any time soon?
Mk.gee: I really couldn't ask for a better bout partner. Omar is a homie, and the whole crew was only a swell hang, really down to earth. The tour got me really excited to hit another i soon, hopefully on the East Declension because my friends and family actually haven't seen me play and sing my stuff ever.
OTW: Do you lot plan on releasing visuals alongside the upcoming EP?
Mk.gee: Some things are in the work for post release, yeah.
OTW: How did you choose which singles to release first; what made you go with "Come On" and "New Twelvemonth?"
Mk.gee: I chose "Come On" because it was the skillful bridge from the old stuff to the new project and the title of the EP, Fool, is taken the song. "New Yr"'s colour represents the album a bit more accurately.
OTW: Your vocal, "You," was recently featured on blonded RADIO, specifically blonded Midterms pt. I – how does it experience to know Frank Ocean is a fan of your music?
Mk.gee: Information technology feels a fleck unreal notwithstanding. I screamed so much when it happened (laughs). I'm plainly a huge fan of Frank also as the radio show. Huge shout out to Joe for throwing me on and showing me so much dear. I don't strive for validation, but it feels skillful when it happens. I'chiliad extremely grateful.
OTW: Who are you listening to right at present? Who are your Ones to Spotter?
Mk.gee: I've been listening to a lot of The Microphones, Grouper, Lucy Pearl, The Stylistics, etc… My friends are ones to watch for sure. They are making actually amazing/individual art right now and they inspire me a ton; Bella Porter, Large Buddy, Orkka, and Umi to name a few.
Source: https://www.onestowatch.com/blog/mkgee-creates-with-transparency-and-intention-on
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